Showing posts with label Images. Show all posts
Showing posts with label Images. Show all posts

Monday, February 23, 2015

The Divided Brain - Iain McGilchrist



"...the intuitive mind is a sacred gift and the rational mind is a faithful servant. We have created a society that honours the servant, but has forgotten the gift."

"Psychiatrist Iain McGilchrist describes the real differences between the left and right halves of the human brain. It's not simply "emotion on the right, reason on the left," but something far more complex and interesting. A Best of the Web talk from RSA Animate.

Iain McGilchrist is a psychiatrist and writer. Before he came to medicine, he was a literary scholar -- and his work on the brain is shaped by a deep questioning of the role of art and culture. As his official bio puts it: "He is committed to the idea that the mind and brain can be understood only by seeing them in the broadest possible context, that of the whole of our physical and spiritual existence, and of the wider human culture in which they arise -- the culture which helps to mould, and in turn is moulded by, our minds and brains."
His recent book The Master and His Emissary explores the nature of the brain's two hemispheres (the right is the "master," in McGilchrist's terms). How have our two hemispheres evolved to relate -- and how did their relationship create our consciousness, our culture, and our ability to understand our own brains?"

Friday, October 10, 2014

A Gentle Reset: 'The Arctic Light' by Terje Sørgjerd


"This was filmed between 29th April and 10th May 2011 in the Arctic, on the archipelago Lofoten in Norway.

My favorite natural phenomenon is one I do not even know the name of, even after talking to meteorologists and astrophysicists I am none the wiser.What I am talking about I have decided to call The Arctic Light and it is a natural phenomenon occurring 2-4 weeks before you can see the Midnight Sun.

The Sunset and Sunrise are connected in one magnificent show of color and light lasting from 8 to 12 hours. The sun is barely going below the horizon before coming up again. This is the most colorful light that I know, and the main reason I have been going up there for the last 4 years, at the exact same time of year, to photograph. Based on previous experience, I knew this was going to be a very difficult trip. Having lost a couple of cameras and some other equipment up there before, it was crucial to bring an extra set of everything. I also made sure I had plenty of time in case something went wrong. If you can imagine roping down mountain cliffs, or jumping around on slippery rocks covered in seaweed with 2 tripods, a rail, a controller, camera, lenses, filters and rigging for 4-5 hour long sequences at a time, and then having to calculate the rise and fall of the tides in order to capture the essence - it all proved bit of a challenge.

And almost as if planned, the trip would turn out to become very difficult indeed. I had numerous setbacks including: airline lost my luggage, struggling to swim ashore after falling into the Arctic sea: twice, breaking lenses, filters, tripod, computer, losing the whole dolly rig and controller into the sea, and even falling off a rather tall rock and ending up in the hospital. As much as I wanted to give up, the best way Out is always “Through”. I am glad I stuck it through though because there were some amazing sunrises waiting. At 1:06 you see a single scene from day to night to day which is from 9pm to 7am. Think about that for a minute.. 10 hours with light like that.

I asked the very talented Marika Takeuchi to specifically compose and perform a song for this movie, and what she came up with is absolutely remarkable. Thank you very much Marika!" - Terje Sørgjerd

Available in Digital Cinema 4k.

Press/licensing/projects contact: tsophotography@gmail.com

Music: "The Arctic Light" by Marika Takeuchi (marika-takeuchi.com)
Please support the artist here: Marika Takeuchi

Sunday, October 5, 2014

Environmental Photography


"Since 2004 I've been researching, working with biologists, and traveling the world to photograph continuously living organisms 2,000 years old and older: The Oldest Living Things in the World.

My practice is contextualized by the multidisciplinary inquiries of Matthew Ritchie and the new conceptualism of Taryn Simon and Trevor Paglen, who likewise gain physical access to restricted subjects and illustrate complex concepts with photographs supported by text. The work spans disciplines, continents, and millennia: it’s part art and part science, has an innate environmentalism, and is underscored by an existential incursion into Deep Time. I begin at ‘year zero,’ and look back from there, exploring the living past in the fleeting present. This original index of millennia-old organisms has never before been created in the arts or sciences.

I approach my subjects as individuals of whom I’m making portraits in order to facilitate an anthropomorphic connection to a deep timescale otherwise too physiologically challenging for our brain to internalize. It’s difficult to stay in Deep Time – we are constantly drawn back to the surface. This vast timescale is held in tension with the shallow time inherent to photography. What does it mean to capture a multi-millennial lifespan in 1/60th of a second? Or for that matter, to be an organism in my 30s bearing witness to organisms that precede human history and will hopefully survive us well into future generations?"
- Rachel Sussman



"Nature transformed through industry is a predominant theme in my work. I set course to intersect with a contemporary view of the great ages of man; from stone, to minerals, oil, transportation, silicon, and so on. To make these ideas visible I search for subjects that are rich in detail and scale yet open in their meaning. Recycling yards, mine tailings, quarries and refineries are all places that are outside of our normal experience, yet we partake of their output on a daily basis.

These images are meant as metaphors to the dilemma of our modern existence; they search for a dialogue between attraction and repulsion, seduction and fear. We are drawn by desire - a chance at good living, yet we are consciously or unconsciously aware that the world is suffering for our success. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into an uneasy contradiction. For me, these images function as reflecting pools of our times."  - Edward Burtynsky

Monday, May 6, 2013

Today's Treasure:


"Never discourage anyone who makes continual progress, no matter how slow."


Saturday, January 19, 2013

Term of the Day: Antipositional Play

"A part of an incorrect plan rather than a mistake made when trying to follow a correct plan. Antipositional moves are often pawn moves; since pawns cannot move backwards to return to squares they have left, their advance often creates irreparable weaknesses."

Saturday, May 19, 2012

A Gentle Reset: 'The Mountain' by Terje Sørgjerd


"This was filmed between 4th and 11th April 2011. I had the pleasure of visiting El Teide.
Spain´s highest mountain @(3718m) is one of the best places in the world to photograph the stars and is also the location of Teide Observatories, considered to be one of the world´s best observatories.

The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies.

A large sandstorm hit the Sahara Desert on the 9th April (bit.ly/g3tsDW) and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes.

Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32."  - Terje Sørgjerd

Available in Digital Cinema 4k.

Press/licensing/projects contact: tsophotography@gmail.com

Music by my friend: Ludovico Einaudi - "Nuvole bianche" with permission.
Please support the artist here: Ludovico Einaudi
"A philosophic system is an integrated view of existence. As a human being, you have no choice about the fact that you need a philosophy. Your only choice is whether you define your philosophy by a conscious, rational, disciplined process of thought and scrupulously logical deliberation--or let your subconscious accumulate a junk heap of unwarranted conclusions, false generalizations, undefined contradiction, undigested slogans, unidentified wishes, doubts and fears, thrown together by chance, but integrated by your subconscious into a kind of mongrel philosophy and fused into a single, solid weight; self-doubt, like a ball and chain in the place where your mind's wings should have grown." —Ayn Rand

Thursday, April 26, 2012

A Minefield of Memes for the Mindful


 The Quality of Intent:

 
 

There is never a need to explain what's made a person who they are (meaning what they've done), unless the need has been another's or their own, in which case it is not really a need, but a self-centered desire to either know or make known. Live conscionably and unapologetically. That is my understanding. ~ A.O.




 

"If you keep doing what you’re doing, you’ll keep getting what you’re getting."


 





"The importance is in forgetting scheduled time, and being more in rhythm with what surrounds you."




 
"When you compare yourself to others, you’re comparing your inside to their outside."





Term of the Day: 'Quandary'  >>





"We are tied together in the single garment of destiny, caught in an inescapable network of mutuality. And whatever affects one directly affects all indirectly. For some strange reason I can never be what I ought to be until you are what you ought to be. And you can never be what you ought to be until I am what I ought to be. This is the way God’s universe is made; this is the way it is structured."



Student: "I am very discouraged.
What should I do?"
Master
: "Encourage others."
(Even despair serves a purpose)